Rotem Reshef | News & Press
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Group exhibition, Charlie James Gallery, Downtown LA

Curator: Sagi Refael


"Dreamin' of a...", Rotem Reshef, diptych from "Spectrum" series, Charlie James Gallery, Los Angeles

Charlie James Gallery is pleased to present “Dreamin’ of a…”, a group exhibition conceived by Los Angeles-based art historian and curator Sagi Refael, featuring work by Adar Aviam, Mara De Luca, Rafa Esparza, Robert Ginder, Renée Lotenero, John Knuth, Marisa Mandler, David O’Brien, Rotem Reshef, Glen Wilson, Nathan Zeidman and Barak Zemer.


"Dreamin' of a...", 2019, Charlie James Gallery LA, installation view

The show originated as a tribute to LA’s landscape, as seen and experienced by walking the streets and using public transportation, and as an antithesis to the glamorous cinematic and televised images of the “City of Angels”, marketed by Hollywood’s studios.


LA is a place where iconic legacy is confronted on a daily basis with reality. It might be enough to think of the contradiction between the ‘Hollywood’ Sign, adorning the sprawling hills in which the rich and famous reside, looking from above at the urban jungle of survival, and the homeless people who are thrown within a gaze from that ultimate status symbol and tourist destination, marking the two polars most of us are hustling in-between.


"Dreamin' of a...", John Knuth, Charlie James Gallery, LA

Dreamin’ of a… takes its title from John Knuth’s piece from 2018, a myler sewn landscape composed on a sign bought from a homeless person the artist has encountered. It encapsulates LA as a microcosmos of the American dream and its pursuers, a clash between capitalism, consumerism and poverty, and symbolizes the role of creativity and inspiration as means to obtain a further step up the hierarchical ladder of class.


This specific gathering of artworks in various media obtains some elements of a “Gesamtkunstwerk”, aiming to present a multifaceted idea of what Los Angeles Landscape is. By putting an emphasis on the city’s fragmented and evolving nature, its becoming and collapsing, constantly confronting romantic perceptions with the true nature of things, Dreamin’ of a… looks at the act of dreaming while realizing the challenges of completion, emphasizing the importance of progression, awareness and taking a personal stand, contributing altogether to the ever-shifting and open-ended fabric of locality.


New and intimate solo exhibition at Milta 2 Gallery, Rehovot, Israel.

29 March - 28 June, 2019


Milta 2 Gallery, Rehovot, Israel | Installation View

The idea of memory is evidently present in the works of Rotem Reshef. Like memory, they too are full of remnants, images from life, experiences and emotions. Reshef creates imprints on the surface of the canvas using plants, plastic sheets and pieces of wood that she submerges in diluted paint. Later she peels off the materials, leaving faint imprints that are both a testimony of the materials that created them, yet stand alone as a new and enigmatic image.


Ghost Library #32, 2018 | 40x225in | 100x570cm | quadriptych | Installation View

Her recent work “Ghost Library” was not created without precedent. It might bring to mind the libraries created by Claudio Parmiggiani, that since the 1970’s creates imprints using soot and dust. In his working process, Parmiggiani seals a room containing a library and sets fire in the middle of the room. After the room is filled with soot, he removes the books andshelves, revealingthe delicate outlines of the books no longer present.


Micha Ullman also used a library in one of his most famous works. “Library”, in Bebelplatz in Berlin, is a memorial to the burning of books in Germany in 1933. His library is buried in the ground and the people passing by look down at it as into an open grave, symbol of the open wound that will never completely heal.


While Parmiggiani and Ullman are reducing existence to the lack of it, Reshef does the opposite. Unlike them, she focuses on what remains rather then on the object that is no longer there. Her Libraries are an illusion; her books are made of pieces of wood and cardboard. A longer observation might revealthat the libraries also resemble the skyline of a city and that the round shapes that float between the shelves take the form of moons and suns in a futuristic age. Reshef is creating a new world and the absence turns into a new creation of real substance.


Victory 2018 | 63x79in | 160x201cm (diptych) | Installation View

Reshef’s creating process is playing a significant part in her art. Chance and accident, and the tension between the instinct to control and the wish to let go, are among her most vital working tools. Reshef relinquishes her control and allowsthe materials to dictate the outcome. While her works may seemstatic, as they are depict the imprint of objects once submerged and restrained in paint, in reality the paintingsare full of rhythm and movement that brings to life the universe that Reshef creates.

In mid-February I was happy to take part of Art Palm Springs fair with IAILA (Israeli Art In Los Angeles), alongside San-Francisco based photographer Oren Lukatz.


IAILA (Israeli Art In Los Angeles) at Art Palm Springs, installation view

Although stormy weather and floods in the coachella valley area and huge traffic jams and blocked roads, many visitors had attended the fair that took place in conjunction with the annual Modernism Week, attracting designers, architects and the general public.


Art Palm Springs, Installation View, Oren Lukatz & Rotem Reshef

My paintings had been juxtaposed with Lukatz’s vivid imagery from Disneyland, and together they presented a combination of colorful and alluring atmosphere of youth, dream-like mise-en-scenes, romantic depictions of couplehood and layers of gestural and seasonal compositions.



Installation View, Oren Lukatz & Rotem Reshef

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